Factory
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September 2004
Gryphon Audio Designs Factory Tour It was with great anticipation that my wife Andrea and I traveled from Munich, Germany to Aarhus, Denmark to tour Gryphon Audio Designs. Arriving in Aarhus around 10:00 PM on a Thursday night, we enjoyed the extended sunlight of the Danish evening as we walked through a bustling restaurant section. For those not familiar with Denmarks geography, its northern location affords a good hour and a half more daylight than our home in North Carolina -- and the locals take advantage of it. The next day we were escorted from our seaside hotel, which overlooked an active commercial shipping port, to Gryphons facilities by Rasmussens business partner of five years, Valdemar Boersting. The short ride gave me a chance to inquire as to what makes Denmark such a thriving home for so many high-end audio manufacturers. Boersting stated that Denmark has very few natural resources, so the country has had to rely upon the peoples talents to thrive economically. The Danes high-end-audio tradition is rich in engineering prowess as well as old-world craftsmanship. Melding these two strengths with a healthy dose of aesthetic sensibility from Rasmussens former career in industrial design has created some of the most striking components in all of high-end audio. Early stages
Rasmussen began designing audio components in the late 1970s with, of all things, a speaker connector. This small banana-plug-type device was the impetus for a business that also included the distribution of other audio brands throughout Denmark. After the introduction and surprise success of Gryphons first actual electronic component, the Head Amp, other products followed. The business model gradually moved away from distribution and into the areas of design and manufacturing. The Gryphon namesake and symbol -- a combination of the eagle with its grace and strength, and the lion with its power and agility -- became synonymous with the company, and a brand was born. Gryphon Audio Designs began marketing its own products officially in 1985. Gryphon's second component, a phono stage, followed the Head Amp, which was then followed by the third, a full-featured preamp. The line expanded considerably throughout the years, though the Gryphon name is probably most famous today for class-A power amplifiers. The company currently produces 35 products, which include all manner of audio components and speakers -- at numerous price points for each -- along with accessories and furniture. The tour Entering the Gryphon facility gave me a snapshot view of the companys history. A virtual Gryphon museum is located literally right through the front door. The large room showcases one of everything the company has ever produced. Along with examples of those very first products are components such as the long-discontinued Reference One mono amplifiers, the DM100 stereo amplifier, and the more recent Cantata loudspeaker.
You might expect my next stop to be in the woodworking shop that cranks out the Poseidon's massive cabinets, or maybe a room with a CNC machine ripping through the Antileons aluminum chassis parts. It will then surprise you to find out that Gryphon does none of its own manufacturing. Thats right -- the construction of each Gryphon Audio Designs product is outsourced to a Danish company that specializes in one sort of manufacturing or another. Rasmussen maintains that the company is able to offer a much wider range of options to customers by taking this approach. What is present in the Gryphon facilities, and is arguably even more important, is the design and engineering talent. Gryphon personnel perfect each product in the design stage before it leaves the premises to be manufactured elsewhere. Repair work is done onsite, and I can tell you that there isnt much of it. I only saw a handful of products either under repair or ready to be shipped out. All new Gryphon components are shipped with a protective film covering them, and I was impressed to see a repair technician applying this film to a unit that was about to go on the bench. The people at Gryphon take care to protect each product -- whether new or well broken in by the owner. There were racks of raw parts and product subassemblies for such repair work, as well as a large shipping and receiving room full of finished Gryphons about to depart for around-the-world journeys. My tour ended with an interesting discussion of Gryphons master-tape collection. It seems that many years ago Rasmussen became the proud owner of a number of recordings thought lost years before. Through the years these tapes have helped in the design of Gryphon products by serving as a pure source to the original session. Pure recordings help make pure products, Rasmussen would say; Gryphon Audio Designs products, though thoroughly engineered, are fine-tuned by ear. Their musical prowess was confirmed by Listening to the Poseidon A system comprising the Antileon Signature amplifier ($24,000), Sonata Allegro preamplifier ($12,500), Mikado CD player ($11,000), Poseidon loudspeakers, and the companys own cabling and equipment rack was set up and ready to play as my visit concluded. Although the music was not familiar to me, what I heard from the sweet spot of the Gryphon listening room was strikingly impressive. The Poseidons displayed incredible transient attack, visceral bass and ample detail, all melded into a musical whole. I could not help but imagine how they would sound in my own room. Having heard quite a number of super systems in my day, I came away impressed by the sheer musical nature of the sounds being produced by this massive stereo system, and I couldnt think of a better way to end my tour of Gryphon Audio Designs. To find out more about Gryphon Audio Designs, visit www.gryphon-audio.dk.
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